Frame Screens
Screen Type:
- 16:9 Frames Screens and 16:9 Curved
- Theatre Frames Screens (Cinemascope format)
- Theatre Curved Frames (Cinemascope format)
Made in Europe, with aesthetic design, the TEC Screens are the perfect companion for our Cineversum projectors. All the materials we use are quality-controlled for a comfortable use and a long-lasting existence.
Frame Screens
Material | Gain | Thickness | Description |
White | 1.2 | 0.22 mm | Double PVC fabric composed of both white front and silver foil that allows no transparency through it. |
Matt White | 1.2 | 0.40 mm | This PVC fabric is more resitent to waves, wear and tears than the classic White fabric. Black back. |
Roady | 1.5 | 0.25 mm | White PVC material that can be folded many times without damaging the cloth. Ideal for rental or events usage. As high gain as 1.5, which becomes handfull in large venues and active 3D. |
Micro Perforated | 1.1 | 0.40 mm | This white micro-perforated PVC material is suitable in rooms where some loudspeakers are placed behind the projection surface. |
Grey | 0.8 | 0.42 mm | Innovative black backed material suitable for application where a 1500 ANSI lumens or higher projector is used. The grey high contrast surface grants reliable performances and excellent contrast to dark colors. |
Grey Micro-Perf | 0.8 | 0.42 mm | Same fabric as standard Grey fabric, but this one comes micro-perforated. White back. |
Super 5D | 1.4 | 0.30 mm | This fabric perfectly maintains light’s circular polarization used for passive 3D. Thanks to its low 1.4 gain and the special coating to reduce hot spot artefacts, this fabric is also suitable for high contrast 2D projection. It comes with a black back and can also be motorized up to 300cm base. |
4K | 1.2 | 0.42 mm | “4K” fabric is is a dedicated PVC fabric optimzed for Ultra HD pictures. It can perfectly suit all 4K projectors, even at small diagonal size. |
The Frame Screens are made of a 8 cm wide aluminum frame, velvet covered, provided with cloth, rubber eyelets and mounting kit. Also available without the velvet covering.
- The classical on-wall fixed screen
- Elegant velvet-covered aluminum frame (absorbs overscan and increase the perceived contrast ratio)
- Easy to mount and perfect for dedicated home cinema rooms
- Available in both 16:9 and Cinemascope picture formats and various sizes up to 200 inches diagonal
16:9 Frames Screens and 16:9 Curved
16:9 Diagonal (inches) |
Viewing Area (WxH in cm) |
4K | Super 5D | White/Matt White | Roady/Micro-Perf | Grey/Grey Micro-Perf |
91 | 200 x 112 | ■ | ■ | ■ | ■ | ■ |
97 | 220 x 124 | ■ | ■ | ■ | ■ | ■ |
113 | 270 x 152 | ■ | ■ | ■ | ■ | ■ |
123 | 270 x 152 | ■ | ■ | ■ | ■ | ■ |
136 | 300 x 169 | ■ | ■ | ■ | ■ | ■ |
158 | 350 x 197 | ■ | ■ | ■ | ■ | ■ |
181 | 400 x 225 | ■ | ■ | ■ | ■ | ■ |
Theatre Frames Screens (Cinemascope format)
The Theatre Frame Screens come with all the available materials: Super 5D, White, Matt White, Micro-Perforated, Roady, Grey and Grey Micro-Perforated.
21:9 Cinemascope Diagonal (inches) |
Viewing Area (WxH in cm) |
4K | Super 5D | White/Matt White | Roady/Micro-Perf | Grey/Grey Micro-Perf |
86 | 201 x 85 | ■ | ■ | ■ | ■ | ■ |
96 | 225 x 95 | ■ | ■ | ■ | ■ | ■ |
107 | 250 x 106 | ■ | ■ | ■ | ■ | ■ |
128 | 300 x 127 | ■ | ■ | ■ | ■ | ■ |
143 | 334 x 142 | ■ | ■ | ■ | ■ | ■ |
150 | 350 x 148 | ■ | ■ | ■ | ■ | ■ |
171 | 400 x 169 | ■ | ■ | ■ | ■ | ■ |
201 | 407 x 198 | ■ | ■ | ■ | ■ | ■ |
Theatre Curved Frames (Cinemascope format)
The Theatre Curved Frames come with the same velvet-covered frame of 8 cm width, but with a curving radius of 12 meters. This frame is dedicated to the most exigent customers who want to use the largest picture possible in their projection room. Just like real theatres, when the entire wall is occupied by the screen, the audio system can be installed behind the screen, keeping the illusion that sound is coming from the screen.
When exploiting wide screens and anamorphic systems, one may choose a curved projection surface to obtain razor sharp focus all over the screen and brighter pictures for central seats.
21:9 Cinemascope Diagonal (inches) |
Viewing Area (WxH in cm) |
4K | Super 5D | White/Matt White | Roady/Micro-Perf | Grey/Grey Micro-Perf |
86 | 201 x 85 | ■ | ■ | ■ | ■ | ■ |
96 | 225 x 95 | ■ | ■ | ■ | ■ | ■ |
107 | 250 x 106 | ■ | ■ | ■ | ■ | ■ |
128 | 300 x 127 | ■ | ■ | ■ | ■ | ■ |
143 | 334 x 142 | ■ | ■ | ■ | ■ | ■ |
150 | 350 x 148 | ■ | ■ | ■ | ■ | ■ |
171 | 400 x 169 | ■ | ■ | ■ | ■ | ■ |
201 | 407 x 198 | ■ | ■ | ■ | ■ | ■ |
DESCRIPTION
Made in Europe, with aesthetic design, the TEC Screens are the perfect companion for our Cineversum projectors. All the materials we use are quality-controlled for a comfortable use and a long-lasting existence.
FULL SPECIFICATION
Frame Screens
Material | Gain | Thickness | Description |
White | 1.2 | 0.22 mm | Double PVC fabric composed of both white front and silver foil that allows no transparency through it. |
Matt White | 1.2 | 0.40 mm | This PVC fabric is more resitent to waves, wear and tears than the classic White fabric. Black back. |
Roady | 1.5 | 0.25 mm | White PVC material that can be folded many times without damaging the cloth. Ideal for rental or events usage. As high gain as 1.5, which becomes handfull in large venues and active 3D. |
Micro Perforated | 1.1 | 0.40 mm | This white micro-perforated PVC material is suitable in rooms where some loudspeakers are placed behind the projection surface. |
Grey | 0.8 | 0.42 mm | Innovative black backed material suitable for application where a 1500 ANSI lumens or higher projector is used. The grey high contrast surface grants reliable performances and excellent contrast to dark colors. |
Grey Micro-Perf | 0.8 | 0.42 mm | Same fabric as standard Grey fabric, but this one comes micro-perforated. White back. |
Super 5D | 1.4 | 0.30 mm | This fabric perfectly maintains light’s circular polarization used for passive 3D. Thanks to its low 1.4 gain and the special coating to reduce hot spot artefacts, this fabric is also suitable for high contrast 2D projection. It comes with a black back and can also be motorized up to 300cm base. |
4K | 1.2 | 0.42 mm | “4K” fabric is is a dedicated PVC fabric optimzed for Ultra HD pictures. It can perfectly suit all 4K projectors, even at small diagonal size. |
The Frame Screens are made of a 8 cm wide aluminum frame, velvet covered, provided with cloth, rubber eyelets and mounting kit. Also available without the velvet covering.
- The classical on-wall fixed screen
- Elegant velvet-covered aluminum frame (absorbs overscan and increase the perceived contrast ratio)
- Easy to mount and perfect for dedicated home cinema rooms
- Available in both 16:9 and Cinemascope picture formats and various sizes up to 200 inches diagonal
16:9 Frames Screens and 16:9 Curved
16:9 Diagonal (inches) |
Viewing Area (WxH in cm) |
4K | Super 5D | White/Matt White | Roady/Micro-Perf | Grey/Grey Micro-Perf |
91 | 200 x 112 | ■ | ■ | ■ | ■ | ■ |
97 | 220 x 124 | ■ | ■ | ■ | ■ | ■ |
113 | 270 x 152 | ■ | ■ | ■ | ■ | ■ |
123 | 270 x 152 | ■ | ■ | ■ | ■ | ■ |
136 | 300 x 169 | ■ | ■ | ■ | ■ | ■ |
158 | 350 x 197 | ■ | ■ | ■ | ■ | ■ |
181 | 400 x 225 | ■ | ■ | ■ | ■ | ■ |
Theatre Frames Screens (Cinemascope format)
The Theatre Frame Screens come with all the available materials: Super 5D, White, Matt White, Micro-Perforated, Roady, Grey and Grey Micro-Perforated.
21:9 Cinemascope Diagonal (inches) |
Viewing Area (WxH in cm) |
4K | Super 5D | White/Matt White | Roady/Micro-Perf | Grey/Grey Micro-Perf |
86 | 201 x 85 | ■ | ■ | ■ | ■ | ■ |
96 | 225 x 95 | ■ | ■ | ■ | ■ | ■ |
107 | 250 x 106 | ■ | ■ | ■ | ■ | ■ |
128 | 300 x 127 | ■ | ■ | ■ | ■ | ■ |
143 | 334 x 142 | ■ | ■ | ■ | ■ | ■ |
150 | 350 x 148 | ■ | ■ | ■ | ■ | ■ |
171 | 400 x 169 | ■ | ■ | ■ | ■ | ■ |
201 | 407 x 198 | ■ | ■ | ■ | ■ | ■ |
Theatre Curved Frames (Cinemascope format)
The Theatre Curved Frames come with the same velvet-covered frame of 8 cm width, but with a curving radius of 12 meters. This frame is dedicated to the most exigent customers who want to use the largest picture possible in their projection room. Just like real theatres, when the entire wall is occupied by the screen, the audio system can be installed behind the screen, keeping the illusion that sound is coming from the screen.
When exploiting wide screens and anamorphic systems, one may choose a curved projection surface to obtain razor sharp focus all over the screen and brighter pictures for central seats.
21:9 Cinemascope Diagonal (inches) |
Viewing Area (WxH in cm) |
4K | Super 5D | White/Matt White | Roady/Micro-Perf | Grey/Grey Micro-Perf |
86 | 201 x 85 | ■ | ■ | ■ | ■ | ■ |
96 | 225 x 95 | ■ | ■ | ■ | ■ | ■ |
107 | 250 x 106 | ■ | ■ | ■ | ■ | ■ |
128 | 300 x 127 | ■ | ■ | ■ | ■ | ■ |
143 | 334 x 142 | ■ | ■ | ■ | ■ | ■ |
150 | 350 x 148 | ■ | ■ | ■ | ■ | ■ |
171 | 400 x 169 | ■ | ■ | ■ | ■ | ■ |
201 | 407 x 198 | ■ | ■ | ■ | ■ | ■ |